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7cb1d79195 When Maria's farther sends her a priceless painting he's stolen, she must decide whether to collect the reward or protect the farther that walked out on her.
So once again Lasse Sprang Olsen has made another lame danish action comedy with the support of the danish film institute. Horray! Like all the other films he's been in charge of, this follows popular danish actors who talk with corny punchlines during, apparently, the best stunts on danish soil... Or, the best we can do. Denmark have still a lot to learn about action sequences! Bad timing, bad editing and bad ideas! And during those, we all have to laugh at the dialogue! Will you ever grow up, Lasse? Now it has been 8 years with one idea duplicated into 5 films. Same poor action, same insignificant and corny story with a gentle touch poorly actor directing. I mean, Tuva Novotny is properly a good actress and I know Anders W. Berthelsen, Nicolas Bro and Birthe Neumann are. But why are they so horrible in your film? You got all the possibilities with the support of the danish film institute to make something original and serious, and then you spoil it away on your infantile humor. You should actually try to see and understand American action movies before you try to copy them and make them danish!
If there is one person in Denmark who makes the most awful movies, then it's Lasse Spang Olsen. He really knows how to waste the tax-payers money.
He keeps making the same movie over and over again, and actually thinks he's a good director. Leave action comedies to the Americans. They got more money and has miles better screenwriters. Even th
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646f9e108c A corrupt cop named Sam handles negotiations between two Triad leaders who plan to join forces. However, he meets a suspicious bald man named Tony, who keeps following him around and disrupting his personal business.
Patrick Yau is a great and talented director. I haven't seen anything else by him yet than this, THE LONGEST NITE (1997), but his other works include The Odd One Dies and Expect the Unexpected, which have also been hailed by HK fanatics and specialists. However, THE LONGEST NITE alone shows the director's talent and this is easily among the most interesting and memorable HK films of the late 90's.
Tony Leung and Lau Ching Wan are the two leads here. Tony is a wonderful actor with smooth and kind face, yet his character here is anything but nice or kind. He plays a rawly violent and corrupted policeman who solves some mysterious triad war in which he is himself somehow related, too. Also a mysterious bald headed stranger soon arrives in Macau (Lau), and soon these two men are against each other and time. It all happens during one night filled with depravity, violence and seemingly no hope for a better tomorrow..
I think the plot and story is very hard to follow after one viewing and the less you are experienced with English (subtitles), the more times you will have to see this film in order to understand the whole plot and its turns. I have seen this twice now and still there are elements which I cannot yet explain, but they're not so important as the things this film gives and has are already visible to me.
The film lacks every imaginable bit